An anthology of 320 poems. Discover Chinese poetry in its golden age and some of the greatest Chinese poets. Tr. by Bynner (en).
|Five character ancient verse (35 poems)
Folk song styled verse (10 poems)
Seven character ancient verse (28 poems)
Folk song styled verse (16 poems)
Five character regular verse (80 poems)
Seven character regular verse (54 poems)
Five character quatrain (37 poems)
Seven character quatrain (60 poems)
|Poems of Du Fu, Li Bai, Wang Wei, Li Shangyin, Meng Haoran, Han Yu, Du Mu, Bai Juyi, Liu Changqing, Cen Can, Wang Changling, Wei Yingwu, full table|
He Zhizhang 回
I left home young. I return old;
Speaking as then, but with hair grown thin;
And my children, meeting me, do not know me. [...]
Li Duan 聽
On Hearing Her Play the Harp
Her hands of white jade by a window of snow
Are glimmering on a golden-fretted harp –
And to draw the quick eye of Chou Yu, [...]
Li Shangyin 無
To One Unnamed IV
A faint phoenix-tail gauze, fragrant and doubled,
Lines your green canopy, closed for the night....
Will your shy face peer round a moon-shaped fan, [...]
« The Three Hundred Tang Poems (Tang shi sanbai shou, 唐詩三百首) were compiled by the Qing scholar Sun Zhu 孫洙, also called Hengtang Tuishi 衡塘退士 "Retired Master of Hengtang", and published in 1764. Sun was not very pleased with the poems of the anthology Qianjiashi 千家詩 "A thousand master's poems" (late Southern Song) because of its lack of educational spirit. His own compilation became so popular that it is enclosed in a corpus of books that are found in almost every household still today. Sun's intention was to elect poems that serve to cultivate the character of the reader. Today, there exist some new compositions of three hundred Tang poems containing different opera, because the Qing time attitude to poetry as educational instrument has changed until today. Sun Zhu has divided his anthology into six different styles, comprising old style poems (gushi, 古詩), regular poems (lüshi 律詩) and short poems (jueju, 絕句), both with five and seven syllable verses. Between the particular sections, poems in the style of the old Han Music Bureau (yuefu, 樂府) are inserted that were still in use during the Tang Dynasty but gradually lost their original character and disappeared during the latter half of Tang. » See Chinaknowledge's page about
poetry from Tang to Yuan.
循环 circle 不可 shall not 寻 seek. A closed circle is not what we should seek for. Thats the opposite of the above translation, no?
oh and by the way. it's the year 2009 here, same in france?
桂花 (桂華) according to the 汉语大词典 is 木樨, Osmanthus fragrans from the family of Oleaceae (olive tree).
This sites dictionary and translation uses "cinnamonum cassia" which should actually be cinnamomum cassia 肉桂 (see. 21st century c.e. dictionary)
If a true-hearted girl will love only her husband,
In a life as faithfully lived as theirs,
this couplet does not seem accurate to me. Isn't it rather that the chaste girl is buried with her husband and gives up her life to be like the above-mentioned?
Hello, I'm a college student from Taiwan!
That's really nice to see how plentiful infomation this website gives.
I think neither China nor Taiwan wouldn't have so wonderful website like this.
Hope you really enjoy Chinese Classic Poems!
Xiqiang – 2008/12/01
I am disturbed by the translation of the last line–where does "storm" come in? Does lau-yan-bo refer to Lake Dongting?
Wait... what, huh?!?!?!
Oh, this must be a comment board
Wuding means "un-fixed" or "shifting" and probably refers to the fact the sands in the desert shift, causing rivers to change course.
Un jour, dans l'atelier de mon maître Sha Zhonghu, nous avons calligraphié séparément sur deux grandes feuilles de papier de riz le poème de Meng Haoran (689-740) intitulé « Sommeil de printemps » :
Au printemps le sommeil dure au delà de l'aube
De tous les côtés parvient le chant des oiseaux
La nuit est à peine troublée par le murmure du vent et de la pluie
Qui sait combien de fleurs sont tombées cette nuit ?
Thinking only of their vow that they would crush the Tartars- -
On the desert, clad in sable and silk, five thousand of them fell....
But arisen from their crumbling bones on the banks of the river at the border,
Dreams of them enter, like men alive, into rooms where their loves lie sleeping.
The above translation was embellished with some "poetic license".
Literally, the words meant:
Pledged to sweep the Xiong-nu away without fear for their own safety;
Five thousand clad in sable and brocade perished in the dust of Hu;
Pity the bones littering the banks of the Wu Ding River,
they were the very people dreamt of in ladies' bedchambers.
Dommage, le charme de la poésie chinoise est intraduisible
boudifou – 2002/12/09
Ce poème a fait l'objet d'une discussion
sur le forum fr.lettres.langue.chinoise
, avec une proposition de traduction :
— Sous la pinède, interroger le disciple.
— De répondre: Le maître cueille des simples,
— parcourant seul le coeur de cette montagne.
— Un nuage sombre isole du monde.
Attention, seuls 310 des 320 poèmes sont traduits par Bynner. D'après la source
, les numéros 1, 3, 39, 40,42, 83, 84, et 190, 191, 193 sont d'autres traducteurs.
gbog – 2002/12/02